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Chapter 2. Art For the Sake of Art
Thursday (11:23 a.m.)
Standing in front of my second-story living room window,
I looked down towards the street and watched Elena scuttle to her car,
weeping like a child. I just stared down at her and watched her cry. I
was motionless, perplexed, and altogether crumbled. Not once did I even
consider running after her. That Thursday morning, I found myself wanting
this to happen. I knew the purpose of her early visit was to tell me that
things were over. Her behavior over the past month had led me to believe
that this day would soon come. Things hadn't been going well in our relationship
for quite sometime now. For the past year and a half, Elena and I had
been on and off like a light switch. And after arguing that
Thursday morning about my lack of care, consideration, and understanding,
Elena and I were now, once again, off, and according to her it
was entirely my faultuI'm beginning to believe her.
Elena is the first and only love of my life. I've had
multiple lovers from the time I was seventeen to twenty. I've abused and
romanced many womenustrumpets, naives, and spur-of the-moments. In the
past, I've indulged in the married, engaged, and the recently broken-up.
But none have ever compared to the blessed radiance of Elena Marie. During
the early years of our relationship, just the sight of Elena would make
me gleam with such mirth, such gratitude. Her light blue eyes and radiant
golden hair would tickle every one of my senses whenever we were together.
Her smile, Elena's beautiful smile, could sway me into anything. She had
the kind of appearance you could look at for hours, excitement glistening
off your face from staring at such a sight.
We were happy.
We were in love.
Together, Elena and I have shared four years of great
moments. But, unfortunately, over the following year and a half we
had endured unnecessary, agonizing situations all too familiar to the
everyday couple. And to be honest, most of it was probably my fault. During
our early years, I would do for Elena sweet things that other women in
my past could only have hoped for. In retrospect, I've done things with
those past others Elena couldn't possibly imagine. She is, and will always
be, my adoration. If things would only work between usuIf I could onlyuthere
are so many "If's".
During the first few years, we never had any difficult
relationship problems communication couldn't take care of. But like most
long-term relationships, over the past year and a half there had been
plenty of moments when one of us felt that relinquishing need to step
away from the other. And that Thursday morninguafter two hours of hysterical
crying and yelling and hearing words that felt like piercing arrowsuI
felt like stepping away, too.
Sooner or later, all couples question the reasons they
are committed to one another. And at times, some of these couples realize
that their only purpose for being with one another is not because of love,
but because of the time vested into that person. And that Thursday
morning, watching her leave my apartment in tears, I couldn't decide which
one I was feeling. And it was at that moment the frustration began:
I retreated upstairs into my bedroom and flung myself
onto my bed. I tossed and turned and felt anger smoldering in every portion
of my body. Scenes from Elena's recent visit tormented my mind with visions
and words that pummeled my train of thought. I tried to focus. I thought
of the great loves in history and compared my similar flaws. I then thought
of the many protagonists in literature and could relate to their fatuous
actionsuhow each was their own antagonist. I was slowly slipping into
a craze filled with self-loathing.
My sight bounced from wall to wall.
Frustration.
Anguish.
Fear.
Then it happened:
Voices whispering.
Trumpets blaring.
Words mixing.
Magic.
Desi Marquiso.
And I couldn't help but fade into losing myself, sacrificing
myself to a potent spell of creation. A voice in my head began to sing
and beg for release. I was consumed by a power I can only attempt to explain.
My mind was entranced and completely overwhelmed by chaos, which then
transformed into creation.
In my room, I sat at my desk. I grabbed a sharpened
pencil and tore a piece of paper out of my notebook. I began to write!
I began to write words blessed with so much passion a muse would have
been envious. Every word I wrote seemed to have an omnipotent force that
felt exhilarating. And as I wrote these words, I couldn't help but repeat
them over and over like the melody of a catchy song. I filled my entire
room with poetic wordsupoetic eloquenceuthat seemed to fit like pieces
to a jigsaw puzzle. I finished the first six lines and read every word
to my bedroom walls as if they were an audience of eager listeners. I
stretched the neckline of my sweatshirt and continued to write, capturing
a story that spoke of the things I felt, the voices I heard.
I was possessed by an inspiration that drove me into
a mental craze of insatiable wonder. And at that moment, nothing could
stop me. My eyes were glued to the page as I gave birth to the seventh
line of my piece. My pencil danced across the paper as if it were a wand
sprinkling complete beauty. My palms became dampened with moisture. I
wiped that moisture along my sweatpants and quickly gripped my wand, spilling
more magic across the page. I was making love and sparks flew.
Poetry!
More impressive words sprouted onto the page like magnolias.
My fingers began to burn and plead for a moment of rest, but I didn't
stop. I didn't want to lose a single word that was pouring into my mind.
And after the fourteenth line, I again wiped the moisture from my palms
onto my sweatpants. I paused and allowed my fingers to breathe and stretch.
Poetry!
I attempted to continue. But something wasn't right.
I lifted my wand and gripped it with such desire, such need, but no magic
was to be found. I couldn't write. I couldn't create. Something was most
peculiar. I wiped my hands, again, on my sweatpants. But nothing! Then
it occurred to me. I realized I felt suffocated. I needed some sort of
release. My mind was overwhelmed, perplexed. And then it hit me. I knew
what I had to do. I peeled my sweatpants off and flung them over my head
toward my dresser. I pulled off my sweatshirt and tossed it over my shoulder,
as well. I now only had my boxers and socks on. But I felt free. I felt
alive.
Again, I sat at my desk and picked up my wand and continued
to twirl beautiful language onto the thin blue lines. The freedom of losing
my sweatpants manifested an insatiable beating inside of me. With every
beat, every boost of adrenaline, I continued to write with such passion,
such heart. My commas made their way throughout the poem, singing, rejoicing,
celebrating, kissing, and adoring their exceptional, elated, magnificent
birth. The dashesumy favorite punctuationuwere born quite remarkablyuthey
marcheduparadeduperformed such brilliance. My colons: they gave a unique
touch to my poetic style: stamps of genius: they allowed the following
line to construe everything I wanted to say. And I couldn't forget to
use the semi-colons; a couple of my periods transcended into proud semi-colons;
they created such character to my piece; they formed a strong bond with
the previous line; they were now connected with such grace; they were
almost dependent on one another.
I reached the eighteenth line and felt the closure
beginning to transpire. My final words were like soldiers returning home
to a welcoming crowd as they marched across the page, saluting the reader.
The piece was grand: I used beautiful-sounding words I couldn't help but
repeat aloud to the walls: festooned, elation, rhapsody, plethora, and
interminable. I wrote clever metaphors of Elena as a Sunflower, and I
as a Milkweed. It was brilliant, magnificent; it was mine!
The piece was almost finished. I read my poem over
and over. I corrected a few spelling mistakes, but that was all. I believe,
like most poets, there are no mistakes in writing poetry. It doesn't matter
how many words you may have on one line. It doesn't matter if you group
your words in lines or stanzas. It doesn't even matter if your poem rhymes.
You don't have to write poetry in Limerick or Haiku or Sonnet or Couplet
or Quatrain form. You can write poetry in Free Verse: no rules, just magic!
And I for one wrote poetry in many different forms, depending on my feelings
at the time of creationusometimes prosody, sometimes prose. And although
Professor Roubane from San Francisco State would argue differently, to
me it doesn't even matter if your poetry makes sense. All that truly matters
in writing poetry is the blessing of creation. Your creation! Your magic!
Your words! Your song! But what do I know?
And there it was.
I only needed to title it:
The Disappearance and
the Slow Awakening.
It was finished. I read the entire piece over and over.
It was such an overwhelming sensation that my mind and body felt as if
it were on fire. I couldn't stop reading it. The walls of my bedroom became
my audience once again. I imagined cheers and encores every time I recited
the last few words of my beautiful piece. I was consumed by the magic
of creation. I had transformed the recent visit from Elena into a beautiful
piece by me: Desi Marquiso!
"The Disappearance and the Slow Awakening!"
And again I began to recite. My bedroom walls cheered and hailed at such
prosody. It was grand. I felt like Yeats or Cummings or Ginsberg or the
great Donne. And don't forget the clever Millay, there were similarities
in our work.
But it wasn't enough. Although the piece seemed quite
natural, I didn't. I was on fire and needed to cool off. I looked at my
reflection in the mirror on the wall and thought of something. It was
something senseless and, for most people, repulsively disgusting. But
it felt right, it was more right than it was wrong. And so I did it. I
removed my boxers and socks and flung them next to my sweatpants. I saw
myself again in the mirror. I saw myself as I would like to beuinnocent.
I was beautiful. My light brown hair appeared so delicate
and smooth. My light green eyes were like jewels fixed into the side of
a well-tanned mountain. My smile seemed natural and never fading. And
at that most fantastic moment, I was truly one of God's creaturesurejoicing
such a moment. Even after a difficult two hours with Elena, there I was
truly living.
I began to change for work. I put on fresh boxers and
a fresh pair of socks. I smiled profusely at myself in the mirror. I was
Golden. I was alive. I felt like a child who had shown his parents his
first watercolor painting from school. I went to my closet and chose my
finest pair of slacks and put them on as if I was changing for a prom.
I buttoned up my collared shirt and fixed my tie with such pride, such
exuberance, you would have giggled. I put on my polished black shoes and
fastened the laces quite earnestly.
Desi Marquiso!
Then I made my way downstairs to the living room. I
sat on the couch and turned on the television, still smiling. I flipped
through the channels for a moment in order to find something to pass the
half-hour before work. Once I reached the news channel, I immediately
turned the television off. I couldn't watch it anymore. At this point
in time, the news seemed too repetitive. Although it was highly shocking
and quite morose, everyday, for the past month, the news presented the
same terrible stories. First, the tragic animal attacks: sharks attack
a small boy in Florida; a dog viciously murders a female resident just
outside the front door of her San Francisco apartment; and yet another
dog attack in Richmond that tore a little boy's arms and legs to shreds.
And once the animal attacks had finished, the headlines came sweeping
in: power shortages across California; rolling black-outs; high price
PG&E bills Californians are forced to pay; and the notorious Presidential
Election that is still being reverberated as being fixed. And then the
latest headline: a missing intern from California disappeared somewhere
in Washington D.C. The intern was believed to be secretly involved with
a respected California Congressman, whom denies any knowledge of her whereabouts.
The news was entirely depressing. The only tragic news missing would be
a terrorist attack on American soil. I had to get away. I couldn't risk
losing my euphoric state.
I decided to leave my worn down apartment and drive
to work. I was still gleaming, praying that it would never end. I decided
to drive around the City and take the long way to work. I cruised down
Mission Street until I reached Duboce, where I turned left. A few blocks
up, I again turned left and drove up Market, climbing one of the largest
hills in San Francisco. A mile or two later, I made yet another left onto
Castro and cruised on. Once I reached Twenty-seventh, I made my final
left. I sailed back down the hill, back towards Mission Street. The views
were spectacular, sensational, my City by the bay.
Elena.
Her house was nearby on Guerrero. It was just a few
blocks away from where I grew up, a few blocks from where I used to live
before I moved to the Vis Valley District. I didn't drive by to see her
or talk with her. I just wanted to know where she was. But when I drove
by, her car wasn't there. She was probably driving around the City and
reflecting on what had happened earlier. Possibly feeling guilty? Happy?
Distraught? Or maybe she wasn't. Maybe she was out with her friends, laughing
and celebrating her freedom. But I know that's not the truth. Or is it?
I drove on a little further down Guerrero to see my
old house, where my father, Vincente Marquiso, still lives alone. Such
memories! Such Faith I had when I lived in that house! And such a great
part of the City, this Guerrero Street! Growing in this part of Town was
something special, much better than Vis Valley, much better than the ridiculously
small apartment I live in now. But I needed to move out and continue to
grow uVis Valley was all I could afford.
Finally, I made my way back onto Mission and continued
on toward work. I didn't see it as driving in a massive circle. I saw
it as consuming and altogether appreciating some of the many picturesque
views of San Francisco, not to mention satisfying my curious thoughts.
I was still lost in my euphoric state; I couldn't stop smiling. I felt
so alive I could have kissed the air!
This was why I wrote poetry.
I wrote words for the uncontrollable feeling of creation.
Deep inside all of us there is a fire that ignites throughout our bodies,
smoldering all negativity whenever we create the literary art of poetry.
Sometimes this flame goes unnoticed for years, decades. But it's there.
And it's waiting. And one day it will explode, if only for five minutes,
and elevate a person's mind towards beauty, towards creation! I strongly
believe that deep down everyone is a poet, even if the person doesn't
write.
I have never been published. And I have never sought
an audience. I have only shared my poetic words with a limited few. However,
last month, for the sake of humoring Elena, I submitted my poems for the
annual M.J. Vazquez Award at SF Stateuthis was entirely her idea. So I
entered. Realistically, I knew my chances of winning were quite slim,
but I didn't care. I rarely even thought of that silly contest. My rewards
for writing poetry were quite different. The truth was I wrote poetry
for me and me only. I wrote words that made me sear with such elation,
words that made me feel altogether alive.
And that Thursday morning, after writing "The
Disappearance and the Slow Awakening", I was on fire! I was
a magician, an acrobat of literature, a knight of English poetry. Nothing
was going to bring me down. Elena may have told me that it was over for
good, but I wasn't going to let it ruin the rest of my day. My job was
dreadful; it was hell each day I worked. And even though a part of me
wanted to call Elena and beg for resolve, I couldn't afford to call in
sick. I needed money, and my bills were slowly pilingurent, car, phone,
cell phone, Visa, MasterCard, etc.
At the end of my beautiful drive, I parked my car and
walked through the front doors of my workuten minutes early and still
smiling. Nothing was going to bring me away from my exuberance, my euphoria,
my Zen state, my bottle-rocket of emotions. Nothing! Or so I thought.
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